Introducing MIDI 2.0

From JUCE.COM:
If you’ve ever created music on a computer, it is likely that you have used the MIDI specification. Created in the early 80s as a protocol for synchronizing musical events in electronic instruments and computers, MIDI has been a staple for musicians around the world.

MIDI’s wide usage can also present various challenges – how can the protocol be improved without breaking the functionality of instruments and software utilizing the MIDI 1.0 specification, and how can a consensus be reached on the best way to improve MIDI? We spoke about these questions and more with some of the key contributors to MIDI 2.0. (Interview by Joshua Hodge)

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What Will MIDI 2.0 Mean for Musicians?

From Reverb.com:
In many ways, MIDI 1.0 has changed a lot since the specification made its public debut in 1983. You can measure the progress by how MIDI-compatible instruments connect, the types of devices and software programs that employ it, and how much easier the technology has become for musicians to use.

Connecting your MIDI controller through USB, drawing MIDI hits directly into a DAW’s drum pattern grid, or instantly mapping something like an Ableton Push to Ableton Live’s functions and parameters—such things were far outside the realm of possibility in the early ’80s.

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Q&A: Amazon, Apple, and Google to create a smart home standard

From DigitalJournal.com:
The recent news that Amazon, Apple, and Google are working together to create a new standard for smart home communication is a rare display of unity amongst the giants of our interconnected worlds. Bob Bajoras, President of Art+Logic looks into the issue.

With the discussions around a common standard some questions inevitably come to mind: Will the work be successful? Is this the right time for this? Why now? A big challenge will be with the intricacies of getting different devices, both software and hardware, to communicate to each other.

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What will MIDI 2.0 mean for you? We ask one of the people developing it

From MusicTech.com:
MIDI, the Musical Instrument Digital Interface conceived by Roland’s Ikutaro Kakehashi and Dave Smith (and others), is one of the most familiar acronyms in the studio vernacular. And, considering it’s been in commercial use since 1982, the standard has survived incredibly well.

However, there’s a new kind of MIDI in town: MIDI 2.0 and it could be about to make your life in the studio a lot easier. To explain more, we had a chat with Brett Porter, Lead Engineer at Art+Logic, the only independent developers involved in the new standard. He’s also a trained composer with a Masters in Electronic Music and has been developing MIDI systems since 1997.

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